{"id":9023,"date":"2026-10-13T21:08:56","date_gmt":"2026-10-13T21:08:56","guid":{"rendered":"http:\/\/zassist-guide-9023"},"modified":"2026-10-13T21:08:56","modified_gmt":"2026-10-13T21:08:56","slug":"narzedzia-do-usuwania-guza","status":"publish","type":"page","link":"https:\/\/www.zassist.dfgrom.com\/pl\/user-guide\/appendix-hud-tools\/","title":{"rendered":"Za\u0142\u0105cznik A \u2014 Odniesienie do narz\u0119dzia HUD"},"content":{"rendered":"
\uf55f<\/i>
<\/div><\/div><\/div>

Za\u0142\u0105cznik A \u2014 Odniesienie do narz\u0119dzia HUD<\/h2>

Every tool button, the tab it lives on, what a tap does and whether a long-press opens an options sheet. Visibility and order are configurable in Options \u25b8 HUD tool buttons.<\/p>
<\/th>Tool<\/th>Tab<\/th>Tap<\/th>Long-press<\/th>Description<\/th><\/tr><\/thead>
\uf283<\/i><\/td>AF\/MF<\/b>
af_mode<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Prze\u0142\u0105cznik autofokusa \/ r\u0119cznego ustawiania ostro\u015bci (AF-S, AF-C, MF).<\/td><\/tr>
\uf557<\/i><\/td>Obszar AF<\/b>
af_area<\/span>
wszystkie korpusy (Z5, Z6, Z7 i Z50 korzystaj\u0105 ze standardowego ustawienia obszaru AF korpusu)<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Tryb obszaru AF \u2014 w kt\u00f3rym aparat szuka ostro\u015bci (szeroki, pojedynczy punkt, \u015bledzenie\u2026).<\/td><\/tr>
\uf2e6<\/i><\/td>Temat<\/b>
subject_detect<\/span>
Z8, Z9, Z6III, Zf, Z50II, Z5II, ZR<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Wykrywanie obiekt\u00f3w \u2014 priorytet dla AF: ludzie, zwierz\u0119ta lub pojazdy.<\/td><\/tr>
\uf48a<\/i><\/td>Pokr\u0119t\u0142o MF<\/b>
mf_slider<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Pokr\u0119t\u0142o r\u0119cznego ustawiania ostro\u015bci. Zdalnie steruj silnikiem ostro\u015bci obiektywu za pomoc\u0105 precyzyjnego suwaka linijkowego (\u017c\u00f3\u0142ta linia odniesienia). D\u0142ugie naci\u015bni\u0119cie przycisku MF umo\u017cliwia wyb\u00f3r orientacji poziomej lub pionowej \u2014 zdj\u0119cia i filmy zapami\u0119tuj\u0105 swoje w\u0142asne ustawienia. Funkcja PULL ON otwiera ruchomy panel ostro\u015bci (przeci\u0105gnij go w dowolne miejsce): gdy suwak znajduje si\u0119 na pierwszym punkcie, dotknij A, aby go zapisa\u0107, ponownie ustaw ostro\u015b\u0107 i dotknij B, aby przej\u015b\u0107 do drugiego punktu \u2014 paski pokazuj\u0105 po\u0142o\u017cenie ka\u017cdego punktu. Przyciski \u25c0\/\u25b6 p\u0142ynnie i p\u0142ynnie przechodz\u0105 do punktu A lub B w wybranym czasie; dotknij pola timera, aby zmieni\u0107 czas trwania (0,5 s \u2192 5 s w krokach co p\u00f3\u0142 sekundy), a nast\u0119pnie dotknij dowolnego przycisku w trakcie, aby zatrzyma\u0107. Up\u0142ywaj\u0105cy czas jest wy\u015bwietlany w tytule panelu podczas dzia\u0142ania funkcji PULL.<\/td><\/tr>
\uf55f<\/i><\/td>Tarcza PZ<\/b>
zoom_slider<\/span>
Z8, Z9, Z6III, Zf, Z50II, Z5II, Z30, Z50, Zfc, ZR \u2014 z zamontowanym obiektywem Nikon z zoomem elektrycznym<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Pokr\u0119t\u0142o Power Zoom (PZ). Spr\u0119\u017cynowa d\u017awignia, kt\u00f3ra steruje obiektywem z zoomem elektrycznym: naci\u015bnij w kierunku W (szeroki k\u0105t) lub T (teleobiektyw) i zwolnij, aby zatrzyma\u0107 \u2014 w trybie Auto pr\u0119dko\u015b\u0107 nap\u0119du jest zgodna z naci\u015bni\u0119ciem. D\u0142ugie naci\u015bni\u0119cie przycisku PZ umo\u017cliwia przypi\u0119cie sta\u0142ej pr\u0119dko\u015bci nap\u0119du (\u22125\u2026+5, ta sama skala co w menu korpusu) lub prze\u0142\u0105czanie suwaka mi\u0119dzy po\u0142o\u017ceniem poziomym a pionowym. Po przypi\u0119ciu pr\u0119dko\u015bci otrzymujesz r\u00f3wnie\u017c kierunek W\/T oraz przyciski Start\/Pause\/Stop do automatycznego zoomowania bez u\u017cycia r\u0105k ze sta\u0142\u0105 pr\u0119dko\u015bci\u0105. Tabletki A\/B przechowuj\u0105 i przywo\u0142uj\u0105 dok\u0142adne pozycje zoomu (obiektywy PZ3): dotknij pustej tabletki, aby ZAPISA\u0106 bie\u017c\u0105c\u0105 pozycj\u0119 zoomu obiektywu, dotknij jej ponownie, aby PRZYWO\u0141A\u0106 \u2014 obiektyw sam ustawi si\u0119 w tym miejscu \u2014 i naci\u015bnij d\u0142ugo, aby wyczy\u015bci\u0107. Nap\u0119d przywo\u0142ania dzia\u0142a z przypi\u0119t\u0105 pr\u0119dko\u015bci\u0105, je\u015bli jest ustawiona; w trybie Auto (bez przypi\u0119tej pr\u0119dko\u015bci) u\u017cywa domy\u015blnej warto\u015bci menu korpusu (0). Pozycje s\u0105 zapisywane dla ka\u017cdego obiektywu, wi\u0119c ustawienie predefiniowane zapisane dla jednego obiektywu nie b\u0119dzie sterowa\u0107 innym. Aktualna ogniskowa wy\u015bwietla si\u0119 obok odczytu. Jest wyszarzona, gdy pod\u0142\u0105czony obiektyw nie ma zoomu elektrycznego.<\/td><\/tr>
\uf578<\/i><\/td>VR\/IBIS<\/b>
ibis<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>W\u0142\u0105czanie\/wy\u0142\u0105czanie i tryb stabilizacji obrazu (VR\/IBIS).<\/td><\/tr>
\uf58f<\/i><\/td>Metr<\/b>
metering<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Schemat pomiaru ekspozycji (matrycowy, centralnie wa\u017cony, punktowy, rozja\u015bniaj\u0105cy).<\/td><\/tr>
\uf27a<\/i><\/td>Pic Ctrl<\/b>
picture_ctrl<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Picture Control profile \u2014 the camera's color\/tone preset (incl. flat\/N-Log looks).<\/td><\/tr>
\uf28c<\/i><\/td>ADL<\/b>
active_dlighting<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Aktywna funkcja D-Lighting \u2014 ochrona \u015bwiate\u0142 i cieni w aparacie.<\/td><\/tr>
\uf58d<\/i><\/td>HighISO NR<\/b>
hi_iso_nr<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Si\u0142a redukcji szum\u00f3w przy wysokiej czu\u0142o\u015bci ISO.<\/td><\/tr>
\uf362<\/i><\/td>Mi\u0119kka sk\u00f3ra<\/b>
skin_softening<\/span>
Z8, Z9, Z6III, Zf, Z50II, Z5II, ZR<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Ilo\u015b\u0107 zmi\u0119kczacza sk\u00f3ry do cel\u00f3w wywiadowczych\/pracy kosmetycznej.<\/td><\/tr>
\uf1dc<\/i><\/td>Bez procesora<\/b>
non_cpu_lens<\/span>
wszystkie nadwozia opr\u00f3cz Z50<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Dane obiektywu bez procesora \u2014 zarejestruj obiektywy manualne, aby IBIS i EXIF dzia\u0142a\u0142y poprawnie. Dotknij pola, aby ustawi\u0107 je jako aktywny obiektyw. D\u0141UGO NACI\u015aNIJ dowolne pole, aby je edytowa\u0107 lub wype\u0142ni\u0107 wolne: nazwa obiektywu (do 36 znak\u00f3w), ogniskowa (z krokiem 0,1 mm poni\u017cej 100 mm) i maksymalna przys\u0142ona (F0,01 poni\u017cej f\/10) zostan\u0105 zapisane bezpo\u015brednio w danych obiektywu bez procesora w aparacie \u2014 obiektyw, kt\u00f3rym fotografujesz, pozostaje wybrany, a etykiety selektora aktualizuj\u0105 si\u0119 natychmiast po potwierdzeniu przez korpus. WYCZY\u015a\u0106 GNIAZDO ponownie opr\u00f3\u017cnia pole.<\/td><\/tr>
\uf5b0<\/i><\/td>Poziom<\/b>
virtual_horizon<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Wirtualny horyzont\/poziom. Wy\u015bwietla pochylenie i przechylenie kamery z p\u0142ynnym ruchem, zapewniaj\u0105c idealnie r\u00f3wne uj\u0119cia. D\u0142ugie naci\u015bni\u0119cie wy\u015bwietla warto\u015bci przechy\u0142u\/pochylenia i etykiety drabinki k\u0105towej.<\/td><\/tr>
\uf295<\/i><\/td>Obszar obrazu<\/b>
img_area<\/span><\/td>		IMAGE SETTINGS (photo)<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Obszar obrazu \/ kadrowanie dla zdj\u0119\u0107 (pe\u0142na klatka FX, DX, 1:1, 16:9).<\/td><\/tr>
\uf28c<\/i><\/td>Ton<\/b>
tone_mode<\/span>
Z8, Z6III, Zf, Z50II, Z5II, ZR<\/span><\/td>		IMAGE SETTINGS (photo)<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Tryb tonalny dla zdj\u0119\u0107 \u2014 przechwytywanie SDR lub HLG (HEIF).<\/td><\/tr>
\uf2a1<\/i><\/td>Jako\u015b\u0107<\/b>
img_quality<\/span><\/td>		IMAGE SETTINGS (photo)<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Jako\u015b\u0107 zdj\u0119\u0107 \u2014 JPEG\/HEIF Podstawowa\/Normalna\/Wysoka, RAW lub kombinacje RAW + JPEG.<\/td><\/tr>
\uf532<\/i><\/td>Rozmiar<\/b>
img_size<\/span><\/td>		IMAGE SETTINGS (photo)<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Rozmiar nieruchomego obrazu (Du\u017cy \/ \u015aredni \/ Ma\u0142y).<\/td><\/tr>
\uf3af<\/i><\/td>SUROWY<\/b>
raw_rec<\/span>
wszystkie nadwozia z wyj\u0105tkiem Z30, Z50, Zfc<\/span><\/td>		IMAGE SETTINGS (photo)<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Kompresja RAW (NEF) \u2014 bezstratna, o wysokiej wydajno\u015bci\u2605 lub o wysokiej wydajno\u015bci.<\/td><\/tr>
\uf5e0<\/i><\/td>Uwolnienie<\/b>
release_mode<\/span><\/td>		IMAGE SETTINGS (photo)<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Tryb wyzwalania \u2014 pojedyncza klatka, serie zdj\u0119\u0107 o ma\u0142ej\/du\u017cej liczbie klatek, samowyzwalacz i tryby wst\u0119pnego przechwytywania C15\u2013C120.<\/td><\/tr>
\uf4f7<\/i><\/td>Migotanie HF<\/b>
hf_flicker<\/span>
Z8, Z9, Z6III, Z50II, Z5II, ZR<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Redukcja migotania o wysokiej cz\u0119stotliwo\u015bci (Nikon HF flicker) w\u0142\u0105czona\/wy\u0142\u0105czona \u2014 ustawienie aparatu dla bie\u017c\u0105cego trybu (zdj\u0119cia lub wideo). Domy\u015blnie ukryta: w\u0142\u0105cz j\u0105 w Ustawieniach \u2192 Narz\u0119dzia. Gdy jest w\u0142\u0105czona i program na\u015bwietlania na ni\u0105 pozwala (M lub S w trybie zdj\u0119\u0107, M w trybie wideo, czas otwarcia migawki 1\/30\u20131\/8000), na mikrouk\u0142adzie migawki i kafelku Body Control wy\u015bwietlany jest format precyzyjnego dostrajania firmy Nikon \u2014 tylko mianownik z jednym miejscem po przecinku, np. 512,0 zamiast 1\/500 \u2014 a na arkuszu migawki pojawiaj\u0105 si\u0119 wiersze \u25c4 szybsze \/ \u25ba wolniejsze, kt\u00f3re dostrajaj\u0105 precyzyjnie o jedno klikni\u0119cie pokr\u0119t\u0142a. Funkcja dost\u0119pna w korpusach z serii Z, kt\u00f3re j\u0105 obs\u0142uguj\u0105; w innych aparatach przycisk wy\u015bwietla komunikat \u201eniedost\u0119pny\u201d.<\/td><\/tr>
\uf11e<\/i><\/td>Centrum<\/b>
focus<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Focus-peaking overlay. Highlights in-focus detail with a colored stroke. Long-press for the Focus assist menu: Peaking color (a swatch window that stays open and docks at the screen edge so you compare colors on the live feed \u2014 X returns to the menu), Line thickness (Thin \/ Medium \/ Thick \u2014 the stroke width only, detection is unchanged) and 'Threshold & tuning\u2026', which opens a live slider over the feed: 0 shows only the crispest, highest-contrast edges, 50 is the factory detection, 100 also lights up soft edges and fine texture such as hair or fabric. Pills in the same drawer: THIN\/MEDIUM\/THICK, GRADED (stroke strength follows sharpness instead of a solid line) and TONE (relaxes the detection on flat profiles \u2014 N-Log, Log3G10, HLG \u2014 so the same slider position looks alike on every tone). Everything here is part of an app preset. In fullscreen, long-press a Quick Button bound to Focus to cycle the peaking color on the fly.<\/td><\/tr>
\uf451<\/i><\/td>Zebry<\/b>
zebras<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Exposure zebras. Diagonal stripes over areas above your set brightness threshold \u2014 separate Highlight and Middle-Grey zebras with their own colors and levels. Long-press for modes, levels and 'Auto Standard per Tone': ON loads the standard levels whenever the codec\/tone (or view LUT) changes; OFF remembers your own levels separately per tone.<\/td><\/tr>
\uf58f<\/i><\/td>Miernik do\u015bwiadczenia<\/b>
exp_meter<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Exposure Meter \u2014 a draggable Nikon-style meter fed by the body's own exposure indicator. The small + and \u2212 buttons step exposure compensation by the camera's smallest EV increment. Long-press the EXP button to choose vertical or horizontal orientation.<\/td><\/tr>
\uf55f<\/i><\/td>Dziurkacz<\/b>
punch<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Focus punch \u2014 the BODY's live-view zoom (LiveViewZoomArea), not a digital crop: tap cycles Entire display \u2192 100 % \u2192 200 % \u2192 400 % (only the levels this body offers \u2014 the list comes from the camera itself), hold picks a level directly. Long-press a level in the sheet to star it: one favourite makes the tap toggle that level \u2194 Entire display; two or more make the tap cycle through the starred levels only \u2014 star "Entire display" too if you want Off in the loop. The punch follows the AF point: Tap-AF moves it. "Snap to detected subject" (row at the bottom of the sheet): On punch-in centres the zoom window on the face \/ eye \/ subject the body has detected the moment you punch in; Follow keeps re-centring while the subject moves; Off leaves the window where the focus point is. Works with the body's AF subject detection and, on bodies that have it, MF subject detection. The tool is hidden on bodies that do not announce live-view zoom. Punch can also sit on a fullscreen Quick Button A \/ B (Options \u2192 Video or Photo tool table): tap behaves like the HUD button, long-press opens the level sheet, and while the body is zoomed the button lights and prints the current level (100% \/ 200% \/ 400%). While recording the body allows only Entire \/ 100 % (no change at all in RAW codecs), and the camera magnifies its own monitor only \u2014 the app feed stays full frame while recording or on HDMI.<\/td><\/tr>
\uf556<\/i><\/td>Przewodniki<\/b>
guides<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Framing guides. Aspect-ratio markers (2.39:1, 1.85:1, 4:3 \u2026) drawn over the feed. Long-press to choose ratio and style, dim everything outside the active frame, or magnify the live view so the guide fills the screen (uniform scale, single guide).<\/td><\/tr>
\uf3af<\/i><\/td>Pole Z<\/b>
zfield<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Z Field exposure assist. Colors the image by exposure zones from crushed shadows to clipped highlights \u2014 a light-meter view of the whole frame. Long-press for the menu: 'Edit colours\u2026' opens a live panel over the feed where you pick one color per stop (the stock Nikon Z palette first, transparent, or a custom color) and watch the overlay and legend change as you tap; 'Save Current as Preset' stores that palette under a name, tap a preset to apply it, long-press to rename or delete. Presets and the current colors are part of an app preset. See the 'Z Field \u2014 Exposure Assist' section below.<\/td><\/tr>
\uf27d<\/i><\/td>F.Kolor<\/b>
falsecolor<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>\u2014<\/td>False color. Maps IRE brightness ranges to 10 reference colors \u2014 the legend shows the exact 0-100 IRE range for each color. Long-press for the menu: 'Edit bands & colours\u2026' opens a live panel over the feed (right edge in landscape, bottom in portrait) where you tap a band for its color (stock palette, transparent, or a custom color) and move its START level with \u2212 \/ + \u2014 the overlay and legend follow instantly, so you see exactly what you are about to save. 'Save Current as Preset' names and stores those bands + colors; tap a preset to apply it, long-press to rename or delete. 'Auto Standard per Tone' ON loads the standard cine bands whenever the codec\/tone changes (hand-editing or loading a preset switches it OFF so your setup isn't overwritten). Presets and the current bands are part of an app preset.<\/td><\/tr>
\uf2fe<\/i><\/td>LUT 3D<\/b>
lut<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>Opens options<\/td>3D\/1D LUT preview. Applies a color-grade LUT to the monitor feed only \u2014 recording is untouched. Long-press to pick or import .cube files. Accepted: standard Adobe\/DaVinci\/RED .cube files \u2014 any 3D size from 2\u00b3 to 128\u00b3 (17, 33, 64, 65, 125 all load) and 1D LUTs (LUT_1D_SIZE, expanded on import); TITLE and DOMAIN_MIN\/MAX are honoured. Not supported: .3dl, .csp, ICC. 33\u00b3 is the sweet spot for live view; larger cubes work but take a moment longer to import and to push to background windows. Organise the menu: '+ New folder\u2026' creates your own folders; long-press a folder to rename or delete it; long-press a LUT for Move to folder\u2026 \/ Rename \/ Delete. Inside a folder, '+ Import \u2026 into this folder\u2026' files a new .cube there. Bundled packs and LUTs you delete are only hidden \u2014 Options \u25b8 Display \u25b8 Restore bundled LUTs brings them back. Folders and renames are library organisation and are not part of an app preset.<\/td><\/tr>
\uf4f6<\/i><\/td>Fala<\/b>
waveform<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Luma waveform scope. Brightness distribution across the image, left-to-right. Long-press for trace color, channels, Peak hold (Off \/ 2 s \/ 5 s; the Parade has its own) and the built-in spot meter \u2014 a draggable square on the feed whose pixels get highlighted on the waveform (size S\/M\/L + highlight color in the same menu).<\/td><\/tr>
\uf59b<\/i><\/td>Histo<\/b>
histogram<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Histogram. Tonal distribution from shadows (left) to highlights (right), drawn as a filled R\/G\/B + luma area chart. Long-press for RGB or luma mode, 64 \/ 128 \/ 256 bins and Peak hold (Off \/ 2 s \/ 5 s).<\/td><\/tr>
\uf16f<\/i><\/td>Parada<\/b>
parade<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>Opens options<\/td>RGB parade. Separate red \/ green \/ blue waveforms \u2014 spot color casts and channel clipping instantly.<\/td><\/tr>
\uf11e<\/i><\/td>Wektor<\/b>
vectorscope<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Vectorscope. Plots chroma (hue + saturation) exactly like a hardware scope \u2014 analysed straight from the live feed, any codec. Long-press for skin-tone line, zoom (1\u00d7\/2\u00d7\/4\u00d7), 75 %\/100 % targets, graticule style and plot quality.<\/td><\/tr>
\uf532<\/i><\/td>Anam.<\/b>
anamorphic<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Anamorphic de-squeeze. Un-stretches footage shot with anamorphic lenses (1.33\u00d7, 1.5\u00d7, 1.8\u00d7, 2\u00d7) \u2014 or type any CUSTOM factor of your own in the same menu. The custom factor also appears in the Gallery player's de-squeeze cycle. Photo and video keep their own de-squeeze setting.<\/td><\/tr>
\uf355<\/i><\/td>Siatka<\/b>
siatka<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Composition grid. Thirds \/ golden-ratio overlay. Long-press for grid type.<\/td><\/tr>
\uf593<\/i><\/td>Bezpieczna<\/b>
safearea<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Safe-area markers. Action- and title-safe rectangles for broadcast delivery.<\/td><\/tr>
\uf4ff<\/i><\/td>Radar<\/b>
traffic<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Exposure radar \u2014 a per-channel clip \/ crush meter. Each R\/G\/B bar counts only the pixels that are genuinely clipped (at the tone's measured clip level) or genuinely crushed (below the Z Field's \u22126 zone for that tone), so SDR, N-Log, HLG and R3D are each judged on their own curve. A bar starts filling and its lamp lights once more than 3 % of the frame is clipped or crushed; the noise bar estimates sensor noise in the darkest areas.<\/td><\/tr>
\uf454<\/i><\/td>Audio<\/b>
audio_meters<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Audio meters. Live input levels with peak hold, drawn over the feed.<\/td><\/tr>
\uf5e0<\/i><\/td>S-Mo<\/b>
slow_motion<\/span>
bodies with high-frame-rate movie modes \u2014 the picker lists only what the connected body offers<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Slow motion (S-MO). Switches the camera into its high-frame-rate capture modes \u2014 the picker lists only the resolution \/ frame-rate pairs the body actually supports, and the resolution and frame-rate chips in the top banner update each other so an impossible combination can never be sent. The S-MO chip shows the playback slow-down factor (e.g. \u00d74) while active.<\/td><\/tr>
\uf4f6<\/i><\/td>Poziom<\/b>
audio_sens<\/span><\/td>		AUDIO<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Input level \/ sensitivity for the active microphone.<\/td><\/tr>
\uf454<\/i><\/td>Wej\u015bcie mikrofonowe<\/b>
mic_input<\/span>
Z6III, ZR<\/span><\/td>		AUDIO<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Microphone input selection (built-in, external, line).<\/td><\/tr>
\uf266<\/i><\/td>Wiatr<\/b>
wind_reduce<\/span><\/td>		AUDIO<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Wind-noise reduction filter.<\/td><\/tr>
\uf5f8<\/i><\/td>Uwaga<\/b>
attenuator<\/span><\/td>		AUDIO<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Attenuator \u2014 pads hot inputs to prevent clipping.<\/td><\/tr>
\uf364<\/i><\/td>32-bit<\/b>
float32<\/span>
ZR<\/span><\/td>		AUDIO<\/td>Toggle \/ cycle<\/td>\u2014<\/td>32-bit float recording \u2014 capture without gain-staging worries.<\/td><\/tr><\/tbody><\/table><\/section>