{"id":9023,"date":"2026-10-13T21:08:56","date_gmt":"2026-10-13T21:08:56","guid":{"rendered":"http:\/\/zassist-guide-9023"},"modified":"2026-10-13T21:08:56","modified_gmt":"2026-10-13T21:08:56","slug":"outils-de-chirurgie-appendiculaire","status":"publish","type":"page","link":"https:\/\/www.zassist.dfgrom.com\/fr\/user-guide\/appendix-hud-tools\/","title":{"rendered":"Annexe A \u2014 R\u00e9f\u00e9rence des outils HUD"},"content":{"rendered":"
\uf55f<\/i>
<\/div><\/div><\/div>

Annexe A \u2014 R\u00e9f\u00e9rence des outils HUD<\/h2>

Every tool button, the tab it lives on, what a tap does and whether a long-press opens an options sheet. Visibility and order are configurable in Options \u25b8 HUD tool buttons.<\/p>
<\/th>Tool<\/th>Tab<\/th>Tap<\/th>Long-press<\/th>Description<\/th><\/tr><\/thead>
\uf283<\/i><\/td>AF\/MF<\/b>
af_mode<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Commutateur de mise au point automatique\/manuelle (AF-S, AF-C, MF).<\/td><\/tr>
\uf557<\/i><\/td>Zone AF<\/b>
af_area<\/span>
tous les bo\u00eetiers (Z5, Z6, Z7 et Z50 utilisent le r\u00e9glage de zone AF standard du bo\u00eetier)<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Mode de zone AF \u2014 zone o\u00f9 l'appareil photo recherche la mise au point (large, point unique, suivi\u2026).<\/td><\/tr>
\uf2e6<\/i><\/td>Sujet<\/b>
subject_detect<\/span>
Z8, Z9, Z6III, Zf, Z50II, Z5II, ZR<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>D\u00e9tection de sujets \u2014 personnes, animaux ou v\u00e9hicules, priorit\u00e9 pour l'AF.<\/td><\/tr>
\uf48a<\/i><\/td>Cadran MF<\/b>
mf_slider<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Molette de mise au point manuelle. Actionnez le moteur de mise au point de l'objectif \u00e0 distance gr\u00e2ce \u00e0 un curseur de pr\u00e9cision (ligne de r\u00e9f\u00e9rence jaune). Appuyez longuement sur le bouton MF pour choisir l'orientation horizontale ou verticale\u00a0; les modes photo et vid\u00e9o m\u00e9morisent le r\u00e9glage. La fonction \u00ab\u00a0Tirer\u00a0\u00bb ouvre le panneau de mise au point flottant (faites-le glisser o\u00f9 vous le souhaitez)\u00a0: avec le curseur sur votre premier rep\u00e8re, appuyez sur A pour l'enregistrer, effectuez une nouvelle mise au point et appuyez sur B pour le second rep\u00e8re\u00a0; les pastilles indiquent la position de chaque point. Les boutons \u25c0\/\u25b6 permettent ensuite une transition de mise au point fluide et progressive vers A ou B pendant la dur\u00e9e s\u00e9lectionn\u00e9e\u00a0; appuyez sur le marqueur de dur\u00e9e pour faire d\u00e9filer la dur\u00e9e (de 0,5\u00a0s \u00e0 5\u00a0s par incr\u00e9ments de 0,5\u00a0s) et appuyez sur l'un ou l'autre bouton en cours de mouvement pour l'arr\u00eater. Le temps \u00e9coul\u00e9 s'affiche dans le titre du panneau pendant la transition.<\/td><\/tr>
\uf55f<\/i><\/td>Cadran PZ<\/b>
zoom_slider<\/span>
Z8, Z9, Z6III, Zf, Z50II, Z5II, Z30, Z50, Zfc, ZR \u2014 avec un objectif zoom motoris\u00e9 Nikon fix\u00e9<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Molette de zoom motoris\u00e9 (PZ). Cette molette \u00e0 ressort actionne le zoom motoris\u00e9\u00a0: poussez-la vers W (grand angle) ou T (t\u00e9l\u00e9objectif) et rel\u00e2chez-la pour arr\u00eater le zoom. En mode Auto, la vitesse de d\u00e9placement est proportionnelle \u00e0 la pression exerc\u00e9e. Appuyez longuement sur le bouton PZ pour m\u00e9moriser une vitesse de d\u00e9placement fixe (de -5 \u00e0 +5, m\u00eame \u00e9chelle que le menu du bo\u00eetier) ou pour basculer le curseur entre les modes horizontal et vertical. Une fois la vitesse m\u00e9moris\u00e9e, vous disposez \u00e9galement du sens de d\u00e9placement W\/T et des boutons Marche\/Pause\/Arr\u00eat pour des zooms automatiques \u00e0 vitesse constante. Les pastilles A\/B permettent de m\u00e9moriser et de rappeler les positions de zoom exactes (objectifs PZ3)\u00a0: appuyez sur une pastille vide pour ENREGISTRER la position de zoom actuelle de l\u2019objectif, appuyez de nouveau pour LA RAPPELER (l\u2019objectif se d\u00e9place alors automatiquement vers cette position), et appuyez longuement pour effacer. Le d\u00e9placement de rappel s\u2019effectue \u00e0 la vitesse m\u00e9moris\u00e9e\u00a0; en mode Auto (sans vitesse m\u00e9moris\u00e9e), il utilise la valeur par d\u00e9faut du menu du bo\u00eetier (0). Les positions sont m\u00e9moris\u00e9es pour chaque objectif\u00a0; un pr\u00e9r\u00e9glage enregistr\u00e9 avec un objectif ne fonctionnera donc pas avec un autre. La focale en temps r\u00e9el s\u2019affiche \u00e0 c\u00f4t\u00e9 de l\u2019affichage. Gris\u00e9 lorsque l'objectif fix\u00e9 ne dispose pas de zoom motoris\u00e9.<\/td><\/tr>
\uf578<\/i><\/td>VR\/IBIS<\/b>
ibis<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Stabilisation int\u00e9gr\u00e9e (VR\/IBIS) marche\/arr\u00eat et mode.<\/td><\/tr>
\uf58f<\/i><\/td>M\u00e8tre<\/b>
metering<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Mode de mesure de l'exposition (matriciel, pond\u00e9r\u00e9 central, spot, hautes lumi\u00e8res).<\/td><\/tr>
\uf27a<\/i><\/td>Ctrl d'image<\/b>
picture_ctrl<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Picture Control profile \u2014 the camera's color\/tone preset (incl. flat\/N-Log looks).<\/td><\/tr>
\uf28c<\/i><\/td>ADL<\/b>
active_dlighting<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>D-Lighting actif \u2014 protection des hautes lumi\u00e8res\/ombres int\u00e9gr\u00e9e \u00e0 l'appareil.<\/td><\/tr>
\uf58d<\/i><\/td>R\u00e9duction du bruit \u00e0 haute sensibilit\u00e9 ISO<\/b>
hi_iso_nr<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Puissance de r\u00e9duction du bruit \u00e0 haute sensibilit\u00e9 ISO.<\/td><\/tr>
\uf362<\/i><\/td>Peau douce<\/b>
skin_softening<\/span>
Z8, Z9, Z6III, Zf, Z50II, Z5II, ZR<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Quantit\u00e9 de produit adoucissant pour la peau pour les entretiens d'embauche\/soins esth\u00e9tiques.<\/td><\/tr>
\uf1dc<\/i><\/td>Processeur non int\u00e9gr\u00e9<\/b>
non_cpu_lens<\/span>
toutes les carrosseries sauf Z50<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Donn\u00e9es d'objectif non g\u00e9r\u00e9es par le processeur\u00a0: enregistrez les objectifs manuels pour que la stabilisation d'image int\u00e9gr\u00e9e (IBIS) et les donn\u00e9es EXIF fonctionnent correctement. Appuyez sur un emplacement pour s\u00e9lectionner l'objectif actif. Maintenez la pression sur un emplacement pour le modifier ou en remplir un libre\u00a0: le nom de l'objectif (jusqu'\u00e0 36\u00a0caract\u00e8res), la focale (par incr\u00e9ments de 0,1\u00a0mm en dessous de 100\u00a0mm) et l'ouverture maximale (par incr\u00e9ments de f\/0,01 en dessous de f\/10) sont enregistr\u00e9s directement dans les donn\u00e9es d'objectif non g\u00e9r\u00e9es par le processeur de l'appareil photo. L'objectif utilis\u00e9 reste s\u00e9lectionn\u00e9 et les \u00e9tiquettes du s\u00e9lecteur se mettent \u00e0 jour d\u00e8s que le bo\u00eetier le confirme. La touche \u00ab\u00a0Effacer l'emplacement\u00a0\u00bb permet de vider un emplacement.<\/td><\/tr>
\uf5b0<\/i><\/td>Niveau<\/b>
virtual_horizon<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Horizon virtuel \/ niveau. Affiche l'inclinaison et le roulis de la cam\u00e9ra avec un mouvement fluide pour des prises de vue parfaitement horizontales. Appui long pour afficher les valeurs d'inclinaison et de roulis ainsi que l'\u00e9chelle d'angles.<\/td><\/tr>
\uf295<\/i><\/td>Zone d'image<\/b>
img_area<\/span><\/td>		IMAGE SETTINGS (photo)<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Zone d'image \/ recadrage pour les images fixes (FX plein format, DX, 1:1, 16:9).<\/td><\/tr>
\uf28c<\/i><\/td>Tonifier<\/b>
tone_mode<\/span>
Z8, Z6III, Zf, Z50II, Z5II, ZR<\/span><\/td>		IMAGE SETTINGS (photo)<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Mode tonal pour les images fixes \u2014 capture SDR ou HLG (HEIF).<\/td><\/tr>
\uf2a1<\/i><\/td>Qualit\u00e9<\/b>
img_quality<\/span><\/td>		IMAGE SETTINGS (photo)<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Qualit\u00e9 d'image fixe \u2014 JPEG\/HEIF Basique\/Normal\/Fin, RAW ou combinaisons RAW + JPEG.<\/td><\/tr>
\uf532<\/i><\/td>Taille<\/b>
img_size<\/span><\/td>		IMAGE SETTINGS (photo)<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Taille de l'image fixe (Grande \/ Moyenne \/ Petite).<\/td><\/tr>
\uf3af<\/i><\/td>BRUT<\/b>
raw_rec<\/span>
toutes les carrosseries sauf Z30, Z50, ZFC<\/span><\/td>		IMAGE SETTINGS (photo)<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Compression RAW (NEF) \u2014 Sans perte, haute efficacit\u00e9\u2605 ou haute efficacit\u00e9.<\/td><\/tr>
\uf5e0<\/i><\/td>Lib\u00e9rer<\/b>
release_mode<\/span><\/td>		IMAGE SETTINGS (photo)<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Mode de d\u00e9clenchement \u2014 image unique, rafales continues basse\/haute, retardateur et modes de pr\u00e9-capture C15-C120.<\/td><\/tr>
\uf4f7<\/i><\/td>HF Flicker<\/b>
hf_flicker<\/span>
Z8, Z9, Z6III, Z50II, Z5II, ZR<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>R\u00e9duction du scintillement haute fr\u00e9quence (Nikon HF flicker) activ\u00e9e\/d\u00e9sactiv\u00e9e\u00a0: r\u00e9glage propre au bo\u00eetier pour le mode actuel (photo ou vid\u00e9o). Masqu\u00e9e par d\u00e9faut\u00a0: activez-la dans R\u00e9glages \u2192 Outils. Lorsqu\u2019elle est activ\u00e9e et que le programme d\u2019exposition le permet (M ou S en photo, M en vid\u00e9o, vitesse d\u2019obturation de 1\/30 \u00e0 1\/8000\u00a0s), l\u2019indicateur d\u2019obturation et la vignette Contr\u00f4le du bo\u00eetier affichent le format de r\u00e9glage fin Nikon (uniquement le d\u00e9nominateur avec une d\u00e9cimale, par exemple 512,0 au lieu de 1\/500) et la feuille de r\u00e9glage de l\u2019obturateur comporte des lignes \u25c4 (plus rapide) \/ \u25ba (plus lent) permettant un r\u00e9glage fin par crans. Disponible sur les bo\u00eetiers de la s\u00e9rie Z compatibles\u00a0; sur les autres appareils, le bouton indique \u00ab\u00a0non disponible\u00a0\u00bb.<\/td><\/tr>
\uf11e<\/i><\/td>Se concentrer<\/b>
focus<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Focus-peaking overlay. Highlights in-focus detail with a colored stroke. Long-press for the Focus assist menu: Peaking color (a swatch window that stays open and docks at the screen edge so you compare colors on the live feed \u2014 X returns to the menu), Line thickness (Thin \/ Medium \/ Thick \u2014 the stroke width only, detection is unchanged) and 'Threshold & tuning\u2026', which opens a live slider over the feed: 0 shows only the crispest, highest-contrast edges, 50 is the factory detection, 100 also lights up soft edges and fine texture such as hair or fabric. Pills in the same drawer: THIN\/MEDIUM\/THICK, GRADED (stroke strength follows sharpness instead of a solid line) and TONE (relaxes the detection on flat profiles \u2014 N-Log, Log3G10, HLG \u2014 so the same slider position looks alike on every tone). Everything here is part of an app preset. In fullscreen, long-press a Quick Button bound to Focus to cycle the peaking color on the fly.<\/td><\/tr>
\uf451<\/i><\/td>Z\u00e8bres<\/b>
zebras<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Exposure zebras. Diagonal stripes over areas above your set brightness threshold \u2014 separate Highlight and Middle-Grey zebras with their own colors and levels. Long-press for modes, levels and 'Auto Standard per Tone': ON loads the standard levels whenever the codec\/tone (or view LUT) changes; OFF remembers your own levels separately per tone.<\/td><\/tr>
\uf58f<\/i><\/td>Exp-m\u00e8tre<\/b>
exp_meter<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Exposure Meter \u2014 a draggable Nikon-style meter fed by the body's own exposure indicator. The small + and \u2212 buttons step exposure compensation by the camera's smallest EV increment. Long-press the EXP button to choose vertical or horizontal orientation.<\/td><\/tr>
\uf55f<\/i><\/td>Punch<\/b>
punch<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Focus punch \u2014 the BODY's live-view zoom (LiveViewZoomArea), not a digital crop: tap cycles Entire display \u2192 100 % \u2192 200 % \u2192 400 % (only the levels this body offers \u2014 the list comes from the camera itself), hold picks a level directly. Long-press a level in the sheet to star it: one favourite makes the tap toggle that level \u2194 Entire display; two or more make the tap cycle through the starred levels only \u2014 star "Entire display" too if you want Off in the loop. The punch follows the AF point: Tap-AF moves it. "Snap to detected subject" (row at the bottom of the sheet): On punch-in centres the zoom window on the face \/ eye \/ subject the body has detected the moment you punch in; Follow keeps re-centring while the subject moves; Off leaves the window where the focus point is. Works with the body's AF subject detection and, on bodies that have it, MF subject detection. The tool is hidden on bodies that do not announce live-view zoom. Punch can also sit on a fullscreen Quick Button A \/ B (Options \u2192 Video or Photo tool table): tap behaves like the HUD button, long-press opens the level sheet, and while the body is zoomed the button lights and prints the current level (100% \/ 200% \/ 400%). While recording the body allows only Entire \/ 100 % (no change at all in RAW codecs), and the camera magnifies its own monitor only \u2014 the app feed stays full frame while recording or on HDMI.<\/td><\/tr>
\uf556<\/i><\/td>Guides<\/b>
guides<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Framing guides. Aspect-ratio markers (2.39:1, 1.85:1, 4:3 \u2026) drawn over the feed. Long-press to choose ratio and style, dim everything outside the active frame, or magnify the live view so the guide fills the screen (uniform scale, single guide).<\/td><\/tr>
\uf3af<\/i><\/td>Champ Z<\/b>
zfield<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Z Field exposure assist. Colors the image by exposure zones from crushed shadows to clipped highlights \u2014 a light-meter view of the whole frame. Long-press for the menu: 'Edit colours\u2026' opens a live panel over the feed where you pick one color per stop (the stock Nikon Z palette first, transparent, or a custom color) and watch the overlay and legend change as you tap; 'Save Current as Preset' stores that palette under a name, tap a preset to apply it, long-press to rename or delete. Presets and the current colors are part of an app preset. See the 'Z Field \u2014 Exposure Assist' section below.<\/td><\/tr>
\uf27d<\/i><\/td>F.Couleur<\/b>
falsecolor<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>\u2014<\/td>False color. Maps IRE brightness ranges to 10 reference colors \u2014 the legend shows the exact 0-100 IRE range for each color. Long-press for the menu: 'Edit bands & colours\u2026' opens a live panel over the feed (right edge in landscape, bottom in portrait) where you tap a band for its color (stock palette, transparent, or a custom color) and move its START level with \u2212 \/ + \u2014 the overlay and legend follow instantly, so you see exactly what you are about to save. 'Save Current as Preset' names and stores those bands + colors; tap a preset to apply it, long-press to rename or delete. 'Auto Standard per Tone' ON loads the standard cine bands whenever the codec\/tone changes (hand-editing or loading a preset switches it OFF so your setup isn't overwritten). Presets and the current bands are part of an app preset.<\/td><\/tr>
\uf2fe<\/i><\/td>LUT 3D<\/b>
lut<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>Opens options<\/td>3D\/1D LUT preview. Applies a color-grade LUT to the monitor feed only \u2014 recording is untouched. Long-press to pick or import .cube files. Accepted: standard Adobe\/DaVinci\/RED .cube files \u2014 any 3D size from 2\u00b3 to 128\u00b3 (17, 33, 64, 65, 125 all load) and 1D LUTs (LUT_1D_SIZE, expanded on import); TITLE and DOMAIN_MIN\/MAX are honoured. Not supported: .3dl, .csp, ICC. 33\u00b3 is the sweet spot for live view; larger cubes work but take a moment longer to import and to push to background windows. Organise the menu: '+ New folder\u2026' creates your own folders; long-press a folder to rename or delete it; long-press a LUT for Move to folder\u2026 \/ Rename \/ Delete. Inside a folder, '+ Import \u2026 into this folder\u2026' files a new .cube there. Bundled packs and LUTs you delete are only hidden \u2014 Options \u25b8 Display \u25b8 Restore bundled LUTs brings them back. Folders and renames are library organisation and are not part of an app preset.<\/td><\/tr>
\uf4f6<\/i><\/td>Vague<\/b>
waveform<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Luma waveform scope. Brightness distribution across the image, left-to-right. Long-press for trace color, channels, Peak hold (Off \/ 2 s \/ 5 s; the Parade has its own) and the built-in spot meter \u2014 a draggable square on the feed whose pixels get highlighted on the waveform (size S\/M\/L + highlight color in the same menu).<\/td><\/tr>
\uf59b<\/i><\/td>Histo<\/b>
histogram<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Histogram. Tonal distribution from shadows (left) to highlights (right), drawn as a filled R\/G\/B + luma area chart. Long-press for RGB or luma mode, 64 \/ 128 \/ 256 bins and Peak hold (Off \/ 2 s \/ 5 s).<\/td><\/tr>
\uf16f<\/i><\/td>Parade<\/b>
parade<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>Opens options<\/td>RGB parade. Separate red \/ green \/ blue waveforms \u2014 spot color casts and channel clipping instantly.<\/td><\/tr>
\uf11e<\/i><\/td>Vecteur<\/b>
vectorscope<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Vectorscope. Plots chroma (hue + saturation) exactly like a hardware scope \u2014 analysed straight from the live feed, any codec. Long-press for skin-tone line, zoom (1\u00d7\/2\u00d7\/4\u00d7), 75 %\/100 % targets, graticule style and plot quality.<\/td><\/tr>
\uf532<\/i><\/td>Anam.<\/b>
anamorphic<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Anamorphic de-squeeze. Un-stretches footage shot with anamorphic lenses (1.33\u00d7, 1.5\u00d7, 1.8\u00d7, 2\u00d7) \u2014 or type any CUSTOM factor of your own in the same menu. The custom factor also appears in the Gallery player's de-squeeze cycle. Photo and video keep their own de-squeeze setting.<\/td><\/tr>
\uf355<\/i><\/td>Grille<\/b>
grille<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Composition grid. Thirds \/ golden-ratio overlay. Long-press for grid type.<\/td><\/tr>
\uf593<\/i><\/td>S\u00fbr<\/b>
safearea<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Safe-area markers. Action- and title-safe rectangles for broadcast delivery.<\/td><\/tr>
\uf4ff<\/i><\/td>Radar<\/b>
traffic<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Exposure radar \u2014 a per-channel clip \/ crush meter. Each R\/G\/B bar counts only the pixels that are genuinely clipped (at the tone's measured clip level) or genuinely crushed (below the Z Field's \u22126 zone for that tone), so SDR, N-Log, HLG and R3D are each judged on their own curve. A bar starts filling and its lamp lights once more than 3 % of the frame is clipped or crushed; the noise bar estimates sensor noise in the darkest areas.<\/td><\/tr>
1<\/i><\/td>Audio<\/b>
audio_meters<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Audio meters. Live input levels with peak hold, drawn over the feed.<\/td><\/tr>
\uf5e0<\/i><\/td>S-Mo<\/b>
slow_motion<\/span>
bodies with high-frame-rate movie modes \u2014 the picker lists only what the connected body offers<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Slow motion (S-MO). Switches the camera into its high-frame-rate capture modes \u2014 the picker lists only the resolution \/ frame-rate pairs the body actually supports, and the resolution and frame-rate chips in the top banner update each other so an impossible combination can never be sent. The S-MO chip shows the playback slow-down factor (e.g. \u00d74) while active.<\/td><\/tr>
\uf4f6<\/i><\/td>Niveau<\/b>
audio_sens<\/span><\/td>		AUDIO<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Input level \/ sensitivity for the active microphone.<\/td><\/tr>
1<\/i><\/td>Micro dans<\/b>
mic_input<\/span>
Z6III, ZR<\/span><\/td>		AUDIO<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Microphone input selection (built-in, external, line).<\/td><\/tr>
\uf266<\/i><\/td>Vent<\/b>
wind_reduce<\/span><\/td>		AUDIO<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Wind-noise reduction filter.<\/td><\/tr>
\uf5f8<\/i><\/td>\u00c0 l'attention de<\/b>
attenuator<\/span><\/td>		AUDIO<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Attenuator \u2014 pads hot inputs to prevent clipping.<\/td><\/tr>
\uf364<\/i><\/td>32 bits<\/b>
float32<\/span>
ZR<\/span><\/td>		AUDIO<\/td>Toggle \/ cycle<\/td>\u2014<\/td>32-bit float recording \u2014 capture without gain-staging worries.<\/td><\/tr><\/tbody><\/table><\/section>