{"id":9023,"date":"2026-10-13T21:08:56","date_gmt":"2026-10-13T21:08:56","guid":{"rendered":"http:\/\/zassist-guide-9023"},"modified":"2026-10-13T21:08:56","modified_gmt":"2026-10-13T21:08:56","slug":"herramientas-para-la-apendicitis","status":"publish","type":"page","link":"https:\/\/www.zassist.dfgrom.com\/es\/user-guide\/appendix-hud-tools\/","title":{"rendered":"Ap\u00e9ndice A \u2014 Referencia de la herramienta HUD"},"content":{"rendered":"
\uf55f<\/i>
<\/div><\/div><\/div>

Ap\u00e9ndice A \u2014 Referencia de la herramienta HUD<\/h2>

Every tool button, the tab it lives on, what a tap does and whether a long-press opens an options sheet. Visibility and order are configurable in Options \u25b8 HUD tool buttons.<\/p>
<\/th>Tool<\/th>Tab<\/th>Tap<\/th>Long-press<\/th>Description<\/th><\/tr><\/thead>
\uf283<\/i><\/td>Enfoque autom\u00e1tico\/manual<\/b>
af_mode<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Interruptor de enfoque autom\u00e1tico\/manual (AF-S, AF-C, MF).<\/td><\/tr>
\uf557<\/i><\/td>\u00c1rea AF<\/b>
af_area<\/span>
Todos los cuerpos (Z5, Z6, Z7 y Z50 utilizan la configuraci\u00f3n de \u00e1rea de enfoque autom\u00e1tico est\u00e1ndar del cuerpo).<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Modo de \u00e1rea AF: d\u00f3nde busca la c\u00e1mara el enfoque (amplio, punto \u00fanico, seguimiento...).<\/td><\/tr>
\uf2e6<\/i><\/td>Sujeto<\/b>
subject_detect<\/span>
Z8, Z9, Z6III, Zf, Z50II, Z5II, ZR<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Detecci\u00f3n de sujetos: personas, animales, veh\u00edculos, prioridad para la detecci\u00f3n autom\u00e1tica.<\/td><\/tr>
\uf48a<\/i><\/td>Esfera MF<\/b>
mf_slider<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Dial de enfoque manual. Controla el motor de enfoque del objetivo de forma remota con un deslizador de regla de precisi\u00f3n (l\u00ednea de referencia amarilla). Mant\u00e9n pulsado el bot\u00f3n MF para elegir la orientaci\u00f3n horizontal o vertical; cada modo de foto y v\u00eddeo recuerda la suya. PULL ON abre el panel flotante de enfoque (arr\u00e1stralo a cualquier lugar): con el deslizador en la primera marca, pulsa A para guardarla, vuelve a enfocar y pulsa B para la segunda marca; los indicadores muestran la posici\u00f3n de cada punto. Los botones \u25c0\/\u25b6 realizan una transici\u00f3n de enfoque suave y gradual a A o B durante el tiempo seleccionado; pulsa el chip del temporizador para ajustar la duraci\u00f3n (0,5 s \u2192 5 s en pasos de medio segundo) y pulsa cualquiera de los botones a mitad de la ejecuci\u00f3n para detenerla. El tiempo transcurrido se muestra en el t\u00edtulo del panel mientras se realiza el enfoque.<\/td><\/tr>
\uf55f<\/i><\/td>Dial PZ<\/b>
zoom_slider<\/span>
Z8, Z9, Z6III, Zf, Z50II, Z5II, Z30, Z50, Zfc, ZR \u2014 con un objetivo zoom motorizado Nikon acoplado<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Dial de zoom motorizado (PZ). Un balanc\u00edn con resorte que acciona un objetivo de zoom motorizado: empuje hacia W (gran angular) o T (teleobjetivo) y su\u00e9ltelo para detenerlo; en Autom\u00e1tico, la velocidad de accionamiento sigue la distancia a la que empuje. Mantenga pulsado el bot\u00f3n PZ para fijar una velocidad de accionamiento (\u22125\u2026+5, misma escala que el men\u00fa de la c\u00e1mara) o para cambiar el deslizador entre horizontal y vertical. Con una velocidad fijada, tambi\u00e9n dispone de la direcci\u00f3n W\/T, adem\u00e1s de los botones de transporte Inicio\/Pausa\/Parada para zooms autom\u00e1ticos sin intervenci\u00f3n manual a velocidad constante. Las pastillas A\/B almacenan y recuperan posiciones de zoom exactas (objetivos PZ3): pulse una pastilla vac\u00eda para ALMACENAR la posici\u00f3n de zoom actual del objetivo, t\u00f3quela de nuevo para RECUPERAR (el objetivo se mueve autom\u00e1ticamente a ese punto) y mantenga pulsado para borrar. El accionamiento de recuperaci\u00f3n funciona a la velocidad fijada cuando se establece una; en Autom\u00e1tico (sin velocidad fijada) utiliza la predeterminada del men\u00fa de la c\u00e1mara (0). Las posiciones se almacenan por objetivo, por lo que un ajuste preestablecido guardado con un objetivo no accionar\u00e1 otro. La distancia focal en tiempo real se muestra junto a la lectura. Aparece atenuado cuando el objetivo acoplado no tiene zoom motorizado.<\/td><\/tr>
\uf578<\/i><\/td>VR\/IBIS<\/b>
ibis<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Estabilizaci\u00f3n integrada en el cuerpo (VR\/IBIS): activaci\u00f3n\/desactivaci\u00f3n y modo.<\/td><\/tr>
\uf58f<\/i><\/td>Metro<\/b>
metering<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Patr\u00f3n de medici\u00f3n de la exposici\u00f3n (matricial, ponderada al centro, puntual, de altas luces).<\/td><\/tr>
\uf27a<\/i><\/td>Control de imagen<\/b>
picture_ctrl<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Picture Control profile \u2014 the camera's color\/tone preset (incl. flat\/N-Log looks).<\/td><\/tr>
\uf28c<\/i><\/td>ADL<\/b>
active_dlighting<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>D-Lighting activo: protecci\u00f3n integrada de luces altas y sombras en la c\u00e1mara.<\/td><\/tr>
\uf58d<\/i><\/td>NR ISO alto<\/b>
hi_iso_nr<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Alta capacidad de reducci\u00f3n de ruido ISO.<\/td><\/tr>
\uf362<\/i><\/td>Suave como la piel<\/b>
skin_softening<\/span>
Z8, Z9, Z6III, Zf, Z50II, Z5II, ZR<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Cantidad de suavizante para la piel para entrevistas\/trabajos de belleza.<\/td><\/tr>
\uf1dc<\/i><\/td>Sin CPU<\/b>
non_cpu_lens<\/span>
Todos los cuerpos excepto Z50<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Datos de lentes sin CPU: registra los lentes manuales para que IBIS y EXIF funcionen correctamente. Toca una ranura para convertirla en el lente activo. Mant\u00e9n pulsada cualquier ranura para editarla o para llenar una libre: el nombre del lente (hasta 36 caracteres), la distancia focal (pasos de 0,1 mm por debajo de 100 mm) y la apertura m\u00e1xima (pasos de F0,01 por debajo de f\/10) se escriben directamente en los datos de lentes sin CPU de la c\u00e1mara; el lente con el que est\u00e1s disparando permanece seleccionado y las etiquetas del selector se actualizan en cuanto el cuerpo lo confirma. Borrar ranura vac\u00eda una ranura.<\/td><\/tr>
\uf5b0<\/i><\/td>Nivel<\/b>
virtual_horizon<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Horizonte\/nivel virtual. Muestra la inclinaci\u00f3n y el balanceo de la c\u00e1mara con un movimiento suave para obtener tomas perfectamente niveladas. Mant\u00e9n pulsado para ver los valores de balanceo\/inclinaci\u00f3n y las etiquetas de la escala de \u00e1ngulos.<\/td><\/tr>
\uf295<\/i><\/td>\u00c1rea de im\u00e1genes<\/b>
img_area<\/span><\/td>		IMAGE SETTINGS (photo)<\/td>Toggle \/ cycle<\/td>Opens options<\/td>\u00c1rea de imagen \/ recorte para im\u00e1genes fijas (fotograma completo FX, DX, 1:1, 16:9).<\/td><\/tr>
\uf28c<\/i><\/td>Tono<\/b>
tone_mode<\/span>
Z8, Z6III, Zf, Z50II, Z5II, ZR<\/span><\/td>		IMAGE SETTINGS (photo)<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Modo de tono para im\u00e1genes fijas: captura SDR o HLG (HEIF).<\/td><\/tr>
\uf2a1<\/i><\/td>Calidad<\/b>
img_quality<\/span><\/td>		IMAGE SETTINGS (photo)<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Calidad de imagen fija: JPEG\/HEIF B\u00e1sico\/Normal\/Fino, RAW o combinaciones de RAW + JPEG.<\/td><\/tr>
\uf532<\/i><\/td>Tama\u00f1o<\/b>
img_size<\/span><\/td>		IMAGE SETTINGS (photo)<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Tama\u00f1o de la imagen fija (Grande \/ Mediano \/ Peque\u00f1o).<\/td><\/tr>
\uf3af<\/i><\/td>CRUDO<\/b>
raw_rec<\/span>
Todas las carrocer\u00edas excepto Z30, Z50, Zfc<\/span><\/td>		IMAGE SETTINGS (photo)<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Compresi\u00f3n RAW (NEF): sin p\u00e9rdidas, alta eficiencia\u2605 o alta eficiencia.<\/td><\/tr>
\uf5e0<\/i><\/td>Liberar<\/b>
release_mode<\/span><\/td>		IMAGE SETTINGS (photo)<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Modo de disparo: fotograma \u00fanico, r\u00e1fagas continuas de baja\/alta frecuencia, temporizador autom\u00e1tico y modos de precaptura C15-C120.<\/td><\/tr>
\uf4f7<\/i><\/td>Parpadeo de HF<\/b>
hf_flicker<\/span>
Z8, Z9, Z6III, Z50II, Z5II, ZR<\/span><\/td>		CAMERA SETUP<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Reducci\u00f3n de parpadeo de alta frecuencia (Nikon HF flicker) activada\/desactivada: ajuste propio del cuerpo para el modo actual (foto o v\u00eddeo). Oculta por defecto: act\u00edvala en Ajustes \u2192 herramientas. Mientras est\u00e9 activada y el programa de exposici\u00f3n lo permita (M o S en foto, M en v\u00eddeo, obturador 1\/30\u20131\/8000), el chip del obturador y el mosaico de Control del cuerpo muestran el formato de ajuste fino de Nikon (solo el denominador con un decimal, p. ej. 512,0 en lugar de 1\/500) y la hoja de Obturador obtiene filas \u25c4 m\u00e1s r\u00e1pidas \/ \u25ba m\u00e1s lentas que ajustan el ajuste fino un clic a la vez. Disponible en cuerpos de la serie Z que lo admiten; en otras c\u00e1maras el bot\u00f3n indica que no est\u00e1 disponible.<\/td><\/tr>
\uf11e<\/i><\/td>Enfocar<\/b>
focus<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Focus-peaking overlay. Highlights in-focus detail with a colored stroke. Long-press for the Focus assist menu: Peaking color (a swatch window that stays open and docks at the screen edge so you compare colors on the live feed \u2014 X returns to the menu), Line thickness (Thin \/ Medium \/ Thick \u2014 the stroke width only, detection is unchanged) and 'Threshold & tuning\u2026', which opens a live slider over the feed: 0 shows only the crispest, highest-contrast edges, 50 is the factory detection, 100 also lights up soft edges and fine texture such as hair or fabric. Pills in the same drawer: THIN\/MEDIUM\/THICK, GRADED (stroke strength follows sharpness instead of a solid line) and TONE (relaxes the detection on flat profiles \u2014 N-Log, Log3G10, HLG \u2014 so the same slider position looks alike on every tone). Everything here is part of an app preset. In fullscreen, long-press a Quick Button bound to Focus to cycle the peaking color on the fly.<\/td><\/tr>
\uf451<\/i><\/td>cebras<\/b>
zebras<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Exposure zebras. Diagonal stripes over areas above your set brightness threshold \u2014 separate Highlight and Middle-Grey zebras with their own colors and levels. Long-press for modes, levels and 'Auto Standard per Tone': ON loads the standard levels whenever the codec\/tone (or view LUT) changes; OFF remembers your own levels separately per tone.<\/td><\/tr>
\uf58f<\/i><\/td>Medidor de exposici\u00f3n<\/b>
exp_meter<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Exposure Meter \u2014 a draggable Nikon-style meter fed by the body's own exposure indicator. The small + and \u2212 buttons step exposure compensation by the camera's smallest EV increment. Long-press the EXP button to choose vertical or horizontal orientation.<\/td><\/tr>
\uf55f<\/i><\/td>Pu\u00f1etazo<\/b>
punch<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Focus punch \u2014 the BODY's live-view zoom (LiveViewZoomArea), not a digital crop: tap cycles Entire display \u2192 100 % \u2192 200 % \u2192 400 % (only the levels this body offers \u2014 the list comes from the camera itself), hold picks a level directly. Long-press a level in the sheet to star it: one favourite makes the tap toggle that level \u2194 Entire display; two or more make the tap cycle through the starred levels only \u2014 star "Entire display" too if you want Off in the loop. The punch follows the AF point: Tap-AF moves it. "Snap to detected subject" (row at the bottom of the sheet): On punch-in centres the zoom window on the face \/ eye \/ subject the body has detected the moment you punch in; Follow keeps re-centring while the subject moves; Off leaves the window where the focus point is. Works with the body's AF subject detection and, on bodies that have it, MF subject detection. The tool is hidden on bodies that do not announce live-view zoom. Punch can also sit on a fullscreen Quick Button A \/ B (Options \u2192 Video or Photo tool table): tap behaves like the HUD button, long-press opens the level sheet, and while the body is zoomed the button lights and prints the current level (100% \/ 200% \/ 400%). While recording the body allows only Entire \/ 100 % (no change at all in RAW codecs), and the camera magnifies its own monitor only \u2014 the app feed stays full frame while recording or on HDMI.<\/td><\/tr>
\uf556<\/i><\/td>Gu\u00edas<\/b>
guides<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Framing guides. Aspect-ratio markers (2.39:1, 1.85:1, 4:3 \u2026) drawn over the feed. Long-press to choose ratio and style, dim everything outside the active frame, or magnify the live view so the guide fills the screen (uniform scale, single guide).<\/td><\/tr>
\uf3af<\/i><\/td>Campo Z<\/b>
zfield<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Z Field exposure assist. Colors the image by exposure zones from crushed shadows to clipped highlights \u2014 a light-meter view of the whole frame. Long-press for the menu: 'Edit colours\u2026' opens a live panel over the feed where you pick one color per stop (the stock Nikon Z palette first, transparent, or a custom color) and watch the overlay and legend change as you tap; 'Save Current as Preset' stores that palette under a name, tap a preset to apply it, long-press to rename or delete. Presets and the current colors are part of an app preset. See the 'Z Field \u2014 Exposure Assist' section below.<\/td><\/tr>
\uf27d<\/i><\/td>F.Color<\/b>
falsecolor<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>\u2014<\/td>False color. Maps IRE brightness ranges to 10 reference colors \u2014 the legend shows the exact 0-100 IRE range for each color. Long-press for the menu: 'Edit bands & colours\u2026' opens a live panel over the feed (right edge in landscape, bottom in portrait) where you tap a band for its color (stock palette, transparent, or a custom color) and move its START level with \u2212 \/ + \u2014 the overlay and legend follow instantly, so you see exactly what you are about to save. 'Save Current as Preset' names and stores those bands + colors; tap a preset to apply it, long-press to rename or delete. 'Auto Standard per Tone' ON loads the standard cine bands whenever the codec\/tone changes (hand-editing or loading a preset switches it OFF so your setup isn't overwritten). Presets and the current bands are part of an app preset.<\/td><\/tr>
\uf2fe<\/i><\/td>LUT 3D<\/b>
lut<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>Opens options<\/td>3D\/1D LUT preview. Applies a color-grade LUT to the monitor feed only \u2014 recording is untouched. Long-press to pick or import .cube files. Accepted: standard Adobe\/DaVinci\/RED .cube files \u2014 any 3D size from 2\u00b3 to 128\u00b3 (17, 33, 64, 65, 125 all load) and 1D LUTs (LUT_1D_SIZE, expanded on import); TITLE and DOMAIN_MIN\/MAX are honoured. Not supported: .3dl, .csp, ICC. 33\u00b3 is the sweet spot for live view; larger cubes work but take a moment longer to import and to push to background windows. Organise the menu: '+ New folder\u2026' creates your own folders; long-press a folder to rename or delete it; long-press a LUT for Move to folder\u2026 \/ Rename \/ Delete. Inside a folder, '+ Import \u2026 into this folder\u2026' files a new .cube there. Bundled packs and LUTs you delete are only hidden \u2014 Options \u25b8 Display \u25b8 Restore bundled LUTs brings them back. Folders and renames are library organisation and are not part of an app preset.<\/td><\/tr>
\uf4f6<\/i><\/td>Ola<\/b>
waveform<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Luma waveform scope. Brightness distribution across the image, left-to-right. Long-press for trace color, channels, Peak hold (Off \/ 2 s \/ 5 s; the Parade has its own) and the built-in spot meter \u2014 a draggable square on the feed whose pixels get highlighted on the waveform (size S\/M\/L + highlight color in the same menu).<\/td><\/tr>
\uf59b<\/i><\/td>Historia<\/b>
histogram<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Histogram. Tonal distribution from shadows (left) to highlights (right), drawn as a filled R\/G\/B + luma area chart. Long-press for RGB or luma mode, 64 \/ 128 \/ 256 bins and Peak hold (Off \/ 2 s \/ 5 s).<\/td><\/tr>
\uf16f<\/i><\/td>Desfile<\/b>
parade<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>Opens options<\/td>RGB parade. Separate red \/ green \/ blue waveforms \u2014 spot color casts and channel clipping instantly.<\/td><\/tr>
\uf11e<\/i><\/td>Vector<\/b>
vectorscope<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Vectorscope. Plots chroma (hue + saturation) exactly like a hardware scope \u2014 analysed straight from the live feed, any codec. Long-press for skin-tone line, zoom (1\u00d7\/2\u00d7\/4\u00d7), 75 %\/100 % targets, graticule style and plot quality.<\/td><\/tr>
\uf532<\/i><\/td>Anam.<\/b>
anamorphic<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Anamorphic de-squeeze. Un-stretches footage shot with anamorphic lenses (1.33\u00d7, 1.5\u00d7, 1.8\u00d7, 2\u00d7) \u2014 or type any CUSTOM factor of your own in the same menu. The custom factor also appears in the Gallery player's de-squeeze cycle. Photo and video keep their own de-squeeze setting.<\/td><\/tr>
\uf355<\/i><\/td>Red<\/b>
red<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>Opens options<\/td>Composition grid. Thirds \/ golden-ratio overlay. Long-press for grid type.<\/td><\/tr>
\uf593<\/i><\/td>Seguro<\/b>
safearea<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Safe-area markers. Action- and title-safe rectangles for broadcast delivery.<\/td><\/tr>
\uf4ff<\/i><\/td>Radar<\/b>
traffic<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Exposure radar \u2014 a per-channel clip \/ crush meter. Each R\/G\/B bar counts only the pixels that are genuinely clipped (at the tone's measured clip level) or genuinely crushed (below the Z Field's \u22126 zone for that tone), so SDR, N-Log, HLG and R3D are each judged on their own curve. A bar starts filling and its lamp lights once more than 3 % of the frame is clipped or crushed; the noise bar estimates sensor noise in the darkest areas.<\/td><\/tr>
\uf454<\/i><\/td>Audio<\/b>
audio_meters<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Audio meters. Live input levels with peak hold, drawn over the feed.<\/td><\/tr>
\uf5e0<\/i><\/td>S-Mo<\/b>
slow_motion<\/span>
bodies with high-frame-rate movie modes \u2014 the picker lists only what the connected body offers<\/span><\/td>		MONITORING<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Slow motion (S-MO). Switches the camera into its high-frame-rate capture modes \u2014 the picker lists only the resolution \/ frame-rate pairs the body actually supports, and the resolution and frame-rate chips in the top banner update each other so an impossible combination can never be sent. The S-MO chip shows the playback slow-down factor (e.g. \u00d74) while active.<\/td><\/tr>
\uf4f6<\/i><\/td>Nivel<\/b>
audio_sens<\/span><\/td>		AUDIO<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Input level \/ sensitivity for the active microphone.<\/td><\/tr>
\uf454<\/i><\/td>Entrada de micr\u00f3fono<\/b>
mic_input<\/span>
Z6III, ZR<\/span><\/td>		AUDIO<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Microphone input selection (built-in, external, line).<\/td><\/tr>
\uf266<\/i><\/td>Viento<\/b>
wind_reduce<\/span><\/td>		AUDIO<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Wind-noise reduction filter.<\/td><\/tr>
\uf5f8<\/i><\/td>Atenci\u00f3n<\/b>
attenuator<\/span><\/td>		AUDIO<\/td>Toggle \/ cycle<\/td>\u2014<\/td>Attenuator \u2014 pads hot inputs to prevent clipping.<\/td><\/tr>
\uf364<\/i><\/td>32 bits<\/b>
float32<\/span>
ZR<\/span><\/td>		AUDIO<\/td>Toggle \/ cycle<\/td>\u2014<\/td>32-bit float recording \u2014 capture without gain-staging worries.<\/td><\/tr><\/tbody><\/table><\/section>